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Wednesday, January 28, 2015

Beautiful Harpies

Have you ever heard a woman say that she "just doesn't get along with other women"?

Perception.
Not a wild statement at first glance, but if you truly consider it, what it's really saying is, "I'M not like other women, I'm special. I'm the Cool Girl who hangs out with the boys." This is generally considered to be a form of internalized misogyny - a poison belief that all (other) women are either too 'girly' in their interests, or are jealous, catty harpies. It's a load of shit, of course, but it is depressingly common and usually based on experiences we had in our teens and early 20s when we're still feeling out who we are and what we're interested in.

Compounding the problem is that there is social conditioning at work that sometimes dictates subject matter in conversation - there's an archaic idea that women in a group MUST talk about makeup, or babies, or cooking, or some other 'feminine' topic while the men play beer pong in the next room and talk sports and philosophy. If a woman is bored by babies and lipstick, she should not assume all the other women in the room are interested solely in these things - she should try bringing up a different topic and see what happens. Maybe one of those women who likes lipstick also likes serial killers.

I'm quite lucky in that I know many fantastic women, and I feel even luckier in that I have the pleasure of working with several. Last Friday, a group of us went out for drinks and spent a good few hours just talking. (I may have, after three glasses of sangria, suggested that women need to stop being racist and homophobic and just band together since if we have a united front we outnumber horrible old white men, buuuut... see three glasses of sangria.)

The following day I had my first Gracefully and Grandly class with Ruthe Ordare, and at the beginning of the class we made introductions. I was surprised by the fact that more than one woman was taking the class specifically to meet other women - one of our classmates is an engineer, and she said she was surrounded by men all day during the week and just needed to get away from testosterone sometimes. Obviously there wasn't much talking in a dance class since we were, you know, dancing but I was still struck at the time by how safe a space it was. Some of the exercises we did for free movement were, objectively, hilarious... but nobody was sitting there judging anybody else, and nobody was laughing or being bitchy. It was a supportive female environment.

Women - like men - can be wonderful people, or terrible. Both genders (and any and all in between or beyond) are simply people. Treating them as anything but is bound to cause problems and leave you missing out on some great experiences and opportunities for friendship.

And honestly, if you really think that every one of your own gender is a jealous, catty bitch? Well. YOU'RE probably being the cunty one and could stand to do a little self reflection. Come on, ladies. Let's not buy into this trap.

Sunday, January 4, 2015

Sisters of the Moon

There's an episode of the Faculty of Horror that discusses witches in film - it's one of my favourites, and I have listened to it more than once. I had not, however, seen two of the films discussed: Rob Zombie's The Lords of Salem, and Lars von Trier's Antichrist. Earlier in the week my sister and I watched the former, while last night we finally got around to watching the latter.

(Antichrist. Holy hell.That movie probably deserves it's own post, but suffice to say that I don't believe it to be a misogynist film. I personally found it to be quite the opposite.)

Luis Ricardo Falero
There is an acquaintance of mine from work who has similar taste in films as I do, and so of course I told her I'd seen Lords and was planning on viewing Antichrist. She told me that she was curious to know what I thought of von Trier's film, and then went on to tell me that of all the sub-genres of horror she found witch movies to be the least accessible to her - she wasn't sure she 'got' them.

Now, my initial reaction was basically "what's not to get?" but that hardly seems a nuanced response, now does it? And so for the past few days I've been thinking about the figure of the witch in popular culture, and how varying contexts can inform how she is received.

The Witch as an archetypal figure has changed remarkably little over the years. Anton LaVey described the witch as female, and stated that she is "a wretched looking old crone... or an extremely sexy girl." This statement can be very easily traced back as far as the publishing of the Malleus Maleficarum in the late fifteenth century, and continues to be the dominant view even today 44 years after LaVey`s Satanic Witch was published. That's some staying power, alright. 

Witches in horror cinema are, by and large, sexual creatures. In this way they are granddaughters of the Malleus, existing to tempt man to sin and revelling in carnal lust with the Devil himself. Their sexuality is a weapon, and is often depicted as perverse. There are films where the witches are not blatantly sexual, but in these too they are aberrant women - baby killers, Satan's disciples, vindictive harpies. 

Witches, in the view passed on to us most clearly by Kramer and Sprenger, are every negative stereotype of a woman ramped up to the nth degree and given magic powers.

It's perhaps not shocking, that the figure of the witch shifted slightly whenever feminist movements began to influence the dominant culture. The 60s saw Bewitched on television, and while horror films kept up their love affair with the dark side of the occult it is interesting that Samantha and her crazy family popped up in the mainstream at the same time second-wave feminism was making an impact. (Now, Samantha was a housewife but at the same time it was undeniable that she had more power than her derpy husband.)

Third-wave feminism coincided with The Craft, Charmed, and Buffy the Vampire Slayer. All of these depicted witches less as concubines of the devil and more as young women trying to come to terms with their power. The past few years, we've seen American Horror Story: Coven and Salem appearing at a time when feminist issues are once again at the forefront of the cultural discussion.The witch serves as a handy shorthand for women's power, so this isn't terribly surprising.When the womenfolk start demanding their rights, it seems that the witch will once again appear, whether her depiction is positive or no.


Leaving archetypes for a moment, it's also interesting to consider the figure of the 'modern witch' in horror cinema. Coinciding with second-wave feminism again, we had the goddess movement and the rise of neo-pagan faiths. While not as common as the 'traditional' witch, we still saw this particular enchantress pop up in a few places - George Romero's Season of the Witch is a perfect example, where a bored housewife attempts to find meaning outside of her marriage by exploring witchcraft. This doesn't turn out well for her - a theme we see again in Antichrist, come to think of it. Both the character of Joan in Romero's film and She in von Trier's are drawn to female power and then find themselves terrified of (and terrorized by) it until everything explodes and goes to shit. Neither woman escapes the patriarchal trap laid for her - She winds up dead and burnt, while Joan becomes a widow still defined by her late husband.

Our 90s modern witches fared a bit better... unless they weren't 'nice,' of course.

So. What's to 'get' about the popular image of the witch? LaVey still isn't off the mark, but looking a bit deeper over both the history of cinema and further back into real events, we can see that it's a bit more complex than that - the witch seems very much to be the fear of woman personified. This fear permeates so much of our culture that is is simultaneously suffocating and barely noticeable, and so the witch remains both a scapegoat and something that more and more we seem to want to reclaim as our own. This reclamation, I feel, is important, and one that I hope to see become wider - I sincerely hope that our next wave of pop culture witches features more women of colour, trans women, queer women. 

If we must be feared, let us be because we are powerful. If that makes us evil, then so be it - a world in which subjugation is good is hardly one worth living in. 

Saturday, January 3, 2015

Strike the death knell.

Well, it's the start of a brand new year so I suppose it's time to take stock of the things we have learned. 2014 was a fine year on a personal level, but on a global one it definitely could have been a lot better - environmental, race, and gender issues dominated my newsfeeds, and not much of the news was good.

When one examines the continuing struggle for equality, one lesson stands out above others: you do not get to decide how a minority group should react. I've seen an awful lot of people react negatively to groups who are trying to achieve equality, and usually this is born out of a knee-jerk defensiveness. While this may be understandable considering that nobody wants to feel like the bad guy, it is also a destructive impulse that serves only to shut down any progress that could be made.

If you are a man, you do not get to tell me I am over-reacting to rape culture. As a Caucasian, I don't get to tell a person of colour she is overreacting to abuse by authority. As a heterosexual, I don't get to tell homosexuals to stop worrying about the legal rights of their spouses. And so on, and so forth.

If you are not in the minority group, you don't get to tell that group how to feel. You don't decide what is offensive. Doing that, or turning the conversation back around to YOU and YOUR rights, is douchebaggery on a level that in 2015 we should really not be mired in.


I'm sure everyone has their own resolutions for the new year. Get in shape, stop drinking malt liquor, learn how to wrestle a unicorn, all that shit. I think that maybe in addition to whatever personal goals we have this year, we could all benefit from promising too that we will listen - really listen - to our fellow humans and take steps to ensure that we do not through our actions (or inaction) condemn another to a life we personally would not want to live.